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Showing posts from October, 2019

Goodbye PERFECT (Michael and Valeria)

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A month from the end of project PERFECT, Michael Larkin (Co-Investigator) and Valeria Motta (Doctoral Research Fellow) reflect on what the project meant for them. One helpful way to think about being involved in a project as expansive as PERFECT is to reflect on where it is sending you next. In this post, we discuss some of the things they have learned from our interdisciplinary work together. Michael Larkin Michael : One of the most interesting aspects of PERFECT for me has arisen from the opportunity to work with you on your PhD. It’s going to be a really innovative combination of philosophical argument and phenomenological-psychological investigation. I’m aware that – coming into it – you were already very well-read on the phenomenological philosophy. I’m curious to know what has struck you most about getting to grips with qualitative methods in psychology? Valeria Motta Valeria : Thank you Michael. It was very interesting for me working with you too. I was surprised to find a varie

Goodbye PERFECT (Sophie)

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Here is the second post in our series reflecting on the end of project PERFECT , this week from postdoc Sophie Stammers . Whilst we’ve all focused on something slightly different, PERFECT researchers were united in using philosophical and psychological tools to dismantle the assumptions that give rise to mental health stigma, and to change the narrative on what counts as ‘good’ and ‘bad’ cognition. A big focus of my work on the project has been the issue of confabulation. We confabulate when we give an account of an event or an action that is not grounded in evidence, but which is given sincerely. Originally, researchers were interested in confabulation as it arose in cases of mental distress or cognitive disfunction, but it turns out that confabulation arises commonly and frequently in all of us, from explanations of mundane consumer choices, to accounting for our moral and political beliefs. Maybe you’ll have been engaged in an explanation of an event, or an experience you’ve had, or

Phenomenology of Health and Relationships

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Today's post is by Michael Larkin and William Day (both at the University of Aston). They are reporting on the Phenomenology of Health and Relationships conference, which was sponsored by project PERFECT and held at the University of Aston on 22-23 May 2019. We're both participants in the Phenomenology of Health and Relationships group at Aston University. In planning our inaugural  conference , the group initially considered a narrower focus on Interpretative Phenomenological Analysis (IPA). There is a regular (more-or-less annual) IPA Conference, and we had agreed to host it. Eventually we settled on a broader theme (Creativity and Affect). IPA is one approach which many of us use in our work, but it is not the only one, and methods are not the sole focus of our meetings. When we meet as a group, we do discuss creative innovations in methodology, but we also read phenomenology, and explore studies which offer experiential insights on health and relationships. We hoped that

Glenside: Mental Health Museum

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There’s a lovely little church in Blackberry Hill, Bristol, nestled in the grounds of what was once the old psychiatric hospital. Step inside, and you’ll find a curious assemblage of artefacts, writings, recordings, drawings, and sculptures, telling the stories of the many mental health patients and practitioners of Bristol’s past. Welcome to Glenside Hospital Museum , which I’ll tell you a bit about now, before encouraging you to take a look for yourself if you’re ever over that way. (In terms of the content, I do discuss patient accounts of treatments, some that are quite upsetting.) At the start of the exhibition, we see the shift from dominant attitudes in 1600s Britain of seeing mental illness and distress as a punishment from the Christian god, or a mark of demonic possession, to the idea that the afflicted are sufferers for whom there might be a cure, and the birth of modern psychiatry as a medical field in the 1800s. You can peruse a detailed timeline developed by the museum’s